Banksy’s shredding prank, wherein his “Woman With Balloon” work was partially shredded at a London public sale, was purported to have been full, in keeping with a video posted to the artist’s web site Tuesday.

The video exhibits the famously nameless artist developing the shredding mechanism inside an ornate body and pushing a button in a black field to activate the destruction at Sotheby’s in London earlier this month. The act shocked the gang, however the profitable bidder, a European collector, went forward and purchased it anyway for $1.four million, in keeping with the public sale home.

Sotheby’s didn’t identify the customer.

The partial shredding drew hypothesis that the act was a stunt to extend the worth of the portray of a younger lady reaching for a heart-shaped pink balloon. The canvas was shredded to proper above the lady’s head, leaving the balloon intact. The tip of the brand new video notes: “In rehearsals it labored each time…” An entire shredding of the identical design is then proven.

The almost 3-minute lengthy video is titled, “Shred the Love, the Director’s minimize.” It exhibits arms and a hooded determine (Banksy is keen on hoodies) developing the mechanism in a studio area, then it rolls on to the skin of Sotheby’s earlier than the public sale. Folks milling about sipping Champagne and nibbling hors d’oeuvres are subsequent up, together with some standing in entrance of the portray.

The public sale and partial shredding are proven, as is the work being taken off the wall at Sotheby’s and carried out of the room.

Banksy has by no means disclosed his full identification. He started his profession spray-painting buildings in Bristol, England, and has change into one of many world’s best-known artists. His mischievous and infrequently satirical photographs embody two policemen kissing, armed riot police with yellow smiley faces and a chimpanzee with an indication bearing the phrases, “Snigger now, however at some point I will be in cost.”

His “Woman With Balloon” was initially stenciled on a wall in east London and has been endlessly reproduced, turning into considered one of Banksy’s best-known photographs.

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